Sebastiano Ferrari自2009年走上小提琴制作之路,早期曾进入米兰小提琴制作学校学习,并有幸在此期间得到过Paola Vecchio, Gabriele Negri, Lorenzo Rossi以及Claudio Canevari教授等名师的指点。毕业前一年,他曾进入一家小提琴制作工作室实习。
在Claudio Canevari教授的帮助下,他曾与帕维亚大学的阿维迪实验室以及克雷莫纳的小提琴博物馆进行合作,完成了多个项目 (https://www.museodelviolino.org/)。
2014年,他凭借与科学实验室以及克雷莫纳小提琴博物馆合作项目获得了科洛尼工艺美术基金会(Cologni Foundation for Art and Crafts)奖学金。
自2016 – 2019 年起,他开始在米兰小提琴制作学校任教,教授小提琴的结构与上光课程。
Acoustic measurement in workshop; measurement of violin sound spectrum; fingerboard, tailpiece and bridge intonation; diagnosis problems and instrument characterization through rigidity and weight.
Relator: George Stoppani.
(Cremona 2013)
The strings influence in bow instruments.
Relator: Franz Klanner (Thomastik-Infeld technician)
(Cremona 2013)
Varnish studies in historical Italian bow instruments; macro and microscopic analysis on wood samples at different stages of varnishing.
Relator: Brigitte Brandmair, curator of “Stradivari Varnish” book.
(Cremona 2013).
“Knowledge for conservation”. International science workshop on bow musical instruments.
Relators:
•Marco Malagodi: University of Pavia, Arvedi Research Laboratory, scientific consultant.
•Claudio Canevari: University of Pavia, Arvedi Research Laboratory, scientific consultant, Violin Making school of Milan.
•Augusto Sarti: teacher of electronics and information department of Polytechnic University of Milan.
•Gianni Ferretti: Vice rector of Polo territoriale di Cremona, Polytechnic University of Milan.
•Mats Tinnsten: Mid-Sweden University.
•Enrico Ravina: University of Genoa.
•Jean Philippe Echad: Researcher in the restoration laboratory of Museum of Music in Paris
•Jayson Dobney: musical Instruments curator at the Metropolitan Museum of Art, New York.
•Frank P. Bar: Director of instrument collection in the Nuremberg Musical Instrument Museum.
•Arian Sheets: Curator of stringed instruments collection in the National Museum of Music (University of South Dakota)
(Cremona 2013)
Collaboration on the project, conducted by the Arvedi Research Laboratory hosted by University of Pavia, for materials classification used in linings and filling of Neapolitan mandolins from half of eighteenth century. Photos of analysis and samples withdrawals for subsequent analysis with electron microscopy and spectroscopy (SEM-EDS), micro-fluorescence (Microft-IR) and stratigraphy.
(Pavia 2013)
Collaboration on the project, conducted by Polytechnic University of Milan, hosted in Violin Museum of Cremona: investigation and ontologies studies for classification of sound.
(Cremona 2014)
Collaboration on the project, conducted by Polytechnic University of Milan and Arvedi Research Laboratory, hosted in Violin Museum of Cremona: looking for correlations between the structural elements of the violin with the timbre and acoustic of the instrument.
(Cremona 2014)
Violas of Antonio Stradivari at Museo del Violino
Relators:Bruno Giuranna and Bruce Carlson.
(Cremona 2015)
Instruments by Guarneri del Gesu at Museo del Violino.
Relator: Gregg Alf
(Cremona 2015)
Instruments of Giovanni Battista Guadagnini at Museo del Violino.
Relator: Eric Blot
(Cremona 2015)
Violin arching design and construction method by Robert Zuger.
Relator: Robert Zuger
(Cremona 2017)
每把琴都会随附一份真品证书,里面注明了这把琴的技术特征、照片以及材质来源等信息。
每把琴售出后享有一段时间的支持服务,用于帮助买家乐手进行必要的调试,使其发挥出最佳性能。我们会指导买家乐手进行常规调试与保养,以确保琴身各部件的功能正常。
提供各种款式小提琴租赁服务,用于学习也或专业表演均可。
欢迎通过下面的表单与我们联系
为打造“绿色工作室”,实现对环境影响的最小化,我们特执行以下道德准则:
– 工作室的网站主机只使用太阳能和风能运转;
– 日常用纸均采用回收纸或通过森林管理委员会(FSC)认证的纸张;
– 任何用于产品制作的木材均取自经过认证的森林;
– 琴身上光材料均选用天然清漆(醇基或油基的树脂和树胶清漆)
– 每一笔产品销售金额的2%将捐献用于植树造林工程。您可选择这三家机构中的一家作为捐款接受结构(捐献一旦确认,您将会受到该捐款接受机构发送的一份捐款确认证书)。
大自然保护协会致力于保护各种生命赖以生存的陆地和水域。我们的愿景:各种生物都蓬勃发展,同时人们能够自愿地尽己所能去保护这个滋养我们的生命并让我们生活多姿多彩的大自然。
该机构通过发放种子、进行农林专业培训以及提供实地技术援助等方式,帮助世界各地的居民进行植树造林工作。截至目前,该机构已在全球30个国家植树6500万多棵,共有11000多个村镇受益。
该机构通过提供种植土地、组织技能培训、提供资金和设备等各种方式来保护各种陆地资源,挽救濒危物种及恶化的生态系统。
手机: +39 3338815421
邮箱: sebastianoferrari@hotmail.it
您也可以通过填下以下表单来联系我们.
我们的位置: Via Villanova N.6 Tavernelle Panicale 06068 Perugia PG (Italy)
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